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001-es BibID:	BIBFORM117228
035-os BibID:	(WoS)001094894600001
Első szerző:	Lengyel Emese (kultúratudomány)
Cím:	The Categorization of the Operetta Dance Genre in the Táncművészet Magazine between 1952 and 1956 / Lengyel Emese
Dátum:	2023
Megjegyzések:	The aim of the Hungarian state socialist regime to renew the operetta art manifested in the transformation of operetta-playing via the setting of its main cultural objectives. Once private theatre organizations were disbanded in 1949, newly written and composed operetta pieces had to be adjusted to meet the expectations cultivated by those responsible for the drawing up of the contemporary cultural policies, not only in terms of theme, subject, and dramaturgy but also, as productions designed for stage performance. At that time, questions regarding the realm of operetta dance and choreography arose as significant professional issues. The remarkable case of operetta dance was brought to the notice of the larger professional community by an article written by choreographer agnes Roboz, which was published in 1952 in the Tancmuveszet magazine (1951). Due to its professional nature, this magazine served as a suitable platform for the discussion of the operetta dance genre. The present study reflects upon its publications from the period between 1952 and 1956. Throughout these years, 16 articles discussing the categorization of operettas were published. I aimed to analyze these primary sources according to their genre before presenting, juxtaposing, and contextualizing them. Thus, my objective is to gain a thorough understanding and comprehensive overview of professional discussions and arguments over 1950s operetta da
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk operetta dance operetta dance musical dance and music hungarian operetta Dance Magazine
Megjelenés:	Arts. - 12 : 5 (2023), p. 1-13. -
Internet cím:	Intézményi repozitóriumban (DEA) tárolt változat Szerző által megadott URL DOI
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