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001-es BibID:BIBFORM121841
035-os BibID:(WOS)000978257400001
Első szerző:Kavecsánszki Máté (néprajzkutató, történész)
Cím:Representing National Culture on the Dance Stage: A Chapter from the History of Hungarian Ballet between the Two World Wars / Máté Kavecsánszki
Dátum:2023
ISSN:2076-0752
Megjegyzések:In the case of a mixture of dance languages, especially in dance productions that are the result of a conscious creative process, the interpretation of the symbolic content and message of the dance language elements becomes important. It is in this context that the dance art endeavours of the 19th and 20th centuries in Hungary can be examined, which aimed at staging folk dance culture on the one hand, and at developing a modern language of dance art by using folk dance culture as a source of inspiration on the other. The underlying motivations behind these dance art endeavours could be different, as they could be born in the spirit of modernism or traditionalism, or they could be the manifestation of political-social artistic aspirations, or the two different motivations could overlap. Taking these aspects into account, my study seeks to answer the question of why and how the need for a stage work to function as a national representation of Hungarianness emerged in the history of Hungarian ballet.
Tárgyszavak:Bölcsészettudományok Néprajz és kulturális antropológiai tudományok idegen nyelvű folyóiratközlemény külföldi lapban
folyóiratcikk
dance languages
Hungarian ballet
national culture
Hungarianness
Aurel Milloss
folk dance
Megjelenés:Arts. - 12 : 2 (2023), p. 41, p. 1-10. -
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