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001-es BibID:	BIBFORM080540
Első szerző:	Kalmár György (filozófus, filmesztéta, irodalmár)
Cím:	Masculinity and the bodily inscriptions of cruelty in Szabolcs Hajdu's White Palms / György Kalmár
Dátum:	2017
ISSN:	2040-350X 2040-3518
Megjegyzések:	The article interprets the award-winning Hungarian film Fehér tenyér/White Palms (Szabolcs Hajdu, 2006) in a wide social, cultural and historical context, from the point of view of such issues as sport, identity, nationality, masculinity, trauma and loss. The article explores the influence of local conceptions of history and nationhood on sports, and analyses the compensatory nature of sports in the discourses of nationality and masculinity in order to explain why and how the film diverges from the international genre patterns and in order to reveal the full cultural significance of the film's narrative and subtle bodily metaphors. Furthermore, it theorizes the symbolic, representative potentials of the athlete's body in terms of the king's two bodies theory, and calls attention to the ways this body fails to undergo the kind of idealization customary for the king's body in medieval law or the athlete's body in the victory narratives of mainstream cinema. Following Kaja Silverman's conceptualization of masculinity in crisis in Male Subjectivity at the Margins (1992), the article connects this failure of idealization to an ideological crisis characteristic of Hungary before as well as after the fall of communism.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk Sports masculinity Szabolcs Hajdu Hungary trauma body
Megjelenés:	Studies in Eastern European Cinema. - 8 : 1 (2017), p. 34-48. -
Pályázati támogatás:	OTKA 112700 OTKA
Internet cím:	DOI Intézményi repozitóriumban (DEA) tárolt változat
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