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001-es BibID:	BIBFORM108908
Első szerző:	Bülgözdi Imola (irodalmár)
Cím:	Rock opera and resistance: 'Stephen, the King' as a building block of minority ethnic identity in Transylvania and the United States / Bülgözdi, Imola; Réti, Zsófia O.
Dátum:	2016
ISSN:	1740-7133 1743-1646
Megjegyzések:	Stephen, the King (1983), the most popular Hungarian rock opera, succeeded in bringing alive the well-known foundational myth of the Hungarian nation state by means of a new genre and its political relevance as a covert protest against the Soviet military presence. The rock opera was also extremely popular among members of Hungarian communities beyond the borders. The article compares two, very different cases of trans-border Hungarian identities focused around Stephen, the King: the Transylvanian reception of the rock opera and, based on Réka Pigniczky's documentary Incubator, its American-Hungarian readings. The latter qualifies as a hybrid identity in progress, while Transylvania, a site of permanent cultural and political friction between Hungary and Romania, displays a cultural identity that is inherently mixed, a borderland identity. Capitalizing on Stuart Hall's understanding of cultural identities, we argue that the diasporic/minority reception of the rock opera enabled unique ways of imag(in)ing national belonging, which were, to a great extent, different from its reception in Hungary. Our case studies confirm that both diasporic and borderland identities have received a boost via the new popular genre, enabling both groups to forge bonds with the imagined community of Hungarians and what they perceived as Hungarian national culture.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk borderland identity cultural identity ethnic minorities Hungarian diaspora rock opera state socialism Stephen, the King Transylvania
Megjelenés:	Popular Music History. - 11 : 1 (2016), p. 10-27. -
További szerzők:	Réti Zsófia (1986-) (irodalomtörténész, kultúrtörténész)
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001-es BibID:	BIBFORM109539
Első szerző:	Győri Zsolt (irodalmár, angol irodalom)
Cím:	From locality to translocality and cosmopolitanism: The rise of the Debrecen alternative-DIY scene / Győri, Zsolt
Dátum:	2016
ISSN:	1740-7133 1743-1646
Megjegyzések:	This article explores the alternative music scene in Debrecen, Hungary's second largest town, in the first decade after the fall of the Berlin Wall. It describes the conditions of its emergence, highlighting the influence of western music and new wave DIY subculture that served as a catalyst in the identity formation of its participants, both musicians and audiences. It argues that in contrast with the politicized rock of the Budapest underground, the international dimension served as a founding element of scene-formation in Debrecen. The aesthetic cosmopolitanism was achieved through translating the affective packages and anti-mainstream sentiments of new wave music into the local context. This research is based on conversations with prominent members of the scene, and offers several case studies of Debrecen bands. It includes song lyrics to illustrate the cosmopolitan dimension of bands and records arising from the scene. It draws on the studies of subcultures, translocality and cosmopolitanism.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk cosmopolitanism Hungary music scene post-punk/new wave
Megjelenés:	Popular Music History. - 11 : 1 (2016), p. 80-99. -
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001-es BibID:	BIBFORM109538
Első szerző:	Mazierska, Ewa
Cím:	Introduction: Special Issue on Crossing national borders in Eastern European popular music / Mazierska, Ewa; Győri, Zsolt
Dátum:	2016
ISSN:	1740-7133 1743-1646
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok szerkesztői levél folyóiratcikk national borders Eastern Europe
Megjelenés:	Popular Music History. - 11 : 1 (2016), p. 1-24. -
További szerzők:	Győri Zsolt (1974-) (irodalmár, angol irodalom)
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