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001-es BibID:	BIBFORM087036
Első szerző:	Regéczi Ildikó (irodalmár)
Cím:	Hó lepett, jéggé fagyott, szoborrá merevedett világ / Regéczi Ildikó
Dátum:	2014
ISSN:	2064-2695
Megjegyzések:	Ildikó Regéczi's expert study analyses the presentation of Mikhail Lermontov's The Masquerade at MITEM by Vilnius Small Theatre. In collating the original drama with its present stage adaptation, the author examines the metaphors of coolness and hotness as well as of the states of being alive and dead together with the psychological connotations of these antonyms, that is the puppet-like movement of the characters and the secret but always ready-to-explode passion of the heroine, Nyina. She mentions the two former famous stage renderings of the Lermontov play (Meyerhold, 1917; H. Koeske in the 1930s), which placed the motif of death dance in the centre of the mystic-symbolic interpretation of the play. Rimas Tuminas' present staging, however, dissolves the tragedy of existence by comic, sometimes farcical means, she says. Of the stage settings she highlights the "melancholic" sepulchre of the heroine and the carefully elaborated choreography of its shaping. In connection with raising the problem of the fi gure of The Unknown and their role, she then confronts Lermontov's aesthetic principles with the spirit of the stage renderings. She continues by a scrutiny of the symbolism of the fi sh motif in the performance from several aspects and, from that starting point, she summarises Tuminas' staging as one not of the carnival any more but rather of its funeral, the "bearing" of death. This, however, brings no absolution, since, as she supposes, the snowball which "swells to a hypertrophic size" by the end of the presentation presumably "symbolises the rolling on of the burden of solution", whereas the characters' getting ready to go suggests the atmosphere of Chekhov's drama
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok magyar nyelvű folyóiratközlemény hazai lapban folyóiratcikk
Megjelenés:	Szcenárium. - 2 : 4 (2014), p. 43-52. -
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