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001-es BibID:	BIBFORM013315
Első szerző:	Katschthaler, Karl (irodalmár, germanista)
Cím:	Latente oder explizite Theatralität? : György Kurtágs "Kafka-Fragmente" auf der Bühne / Karl Katschthaler
Dátum:	2010
ISSN:	1585-3667
Megjegyzések:	The present article uses a performative approach to György Kurtág's Kafka Fragments op. 24. This cycle of 40 pieces for soprano and violin is based on fragments from Franz Kafka's texts and some parts of the score show theatrical elements, gestures, mimics and even proxemics. By giving scenic instructions in the score the composer ignores his own prohibition on the use of any theatrical means, which was valid for his works before op. 24 - now he opens his works up for the stage. After a brief exploration of the genre cycle and of it's relationship to the song cycles of the 19th century on the one hand and to the fragmentarism of the romantics (Schumann) and the moderns (Webern) on the other hand, I focus on the question, whether the work requires a staged performance or it has to be performed within the conventions of the song recital. After answering this question I analyse and compare the stagings of the Kafka Fragments by Peter Sellar and by Antoine Gindt with regard to their treatment of the score.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény hazai lapban Kurtág Kafka Sellars Gindt theatricality performance staging fragmentarism
Megjelenés:	Werkstatt : Internet-Zeitschrift für germanistische und vergleichende Kultur- und Literaturwissenschaft. - 5 (2010), p. 1-30. -
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