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001-es BibID:	BIBFORM118906
035-os BibID:	(MTMT)33696246 (Scopus)85149451541 (WoS)000946484800001
Első szerző:	Kalmár György (filozófus, filmesztéta, irodalmár)
Cím:	Eden and Eastern European Ecocinema / György Kalmár
Dátum:	2023
ISSN:	2040-350X 2040-3518
Megjegyzések:	The rise of the ecological point of view in Eastern European societies is undoubtedly one of the defining trends of the early 21st century, generating continuous changes in all fields of life, from agricultural production to consumption habits to contemporary visual culture. We are witnessing a gradual but large-scale cultural transformation, the understanding of which is a major challenge for contemporary academic research. In this paper, I will attempt to understand these changes in the field of film culture: I will examine to what extent the rise of the ecocritical approach is something new in Hungarian filmmaking, to what extent it draws on established film traditions, and in what respect it rewrites the established procedures and approaches of local filmmaking traditions. The starting point for my investigation is Ágnes Kocsis's film Eden (Éden 2020), which can be considered as the first eco-feature-film in Hungarian. A comparison of Eden with Kocsis's previous feature films highlights the cinematic effects and consequences of this new approach, as well as the way in which our changing understanding of the relationship between human beings and the biosphere may be transforming the practice of filmmaking.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk Eden Ágnes Kocsis ecocinema Eastern European cinema
Megjelenés:	Studies in Eastern European Cinema. - (2023), p. 1-23. -
Internet cím:	Szerző által megadott URL DOI Intézményi repozitóriumban (DEA) tárolt változat
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001-es BibID:	BIBFORM080540
Első szerző:	Kalmár György (filozófus, filmesztéta, irodalmár)
Cím:	Masculinity and the bodily inscriptions of cruelty in Szabolcs Hajdu's White Palms / György Kalmár
Dátum:	2017
ISSN:	2040-350X 2040-3518
Megjegyzések:	The article interprets the award-winning Hungarian film Fehér tenyér/White Palms (Szabolcs Hajdu, 2006) in a wide social, cultural and historical context, from the point of view of such issues as sport, identity, nationality, masculinity, trauma and loss. The article explores the influence of local conceptions of history and nationhood on sports, and analyses the compensatory nature of sports in the discourses of nationality and masculinity in order to explain why and how the film diverges from the international genre patterns and in order to reveal the full cultural significance of the film's narrative and subtle bodily metaphors. Furthermore, it theorizes the symbolic, representative potentials of the athlete's body in terms of the king's two bodies theory, and calls attention to the ways this body fails to undergo the kind of idealization customary for the king's body in medieval law or the athlete's body in the victory narratives of mainstream cinema. Following Kaja Silverman's conceptualization of masculinity in crisis in Male Subjectivity at the Margins (1992), the article connects this failure of idealization to an ideological crisis characteristic of Hungary before as well as after the fall of communism.
Tárgyszavak:	Bölcsészettudományok Irodalom- és kultúratudományok idegen nyelvű folyóiratközlemény külföldi lapban folyóiratcikk Sports masculinity Szabolcs Hajdu Hungary trauma body
Megjelenés:	Studies in Eastern European Cinema. - 8 : 1 (2017), p. 34-48. -
Pályázati támogatás:	OTKA 112700 OTKA
Internet cím:	DOI Intézményi repozitóriumban (DEA) tárolt változat
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